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"The Ten Commandments" Remains The Granddaddy Of All Biblical Epics. Here's Why

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There are plenty of reasons to savor the original movie, most of them having to do with the casting, some of it campy and awful in a truly wonderful way, some just plain spectacular.

As Moses, Charlton Heston brought a sense of conviction to this epic role (see also “Ben-Hur”) that anchored the movie in a way few actors could, before or since. Yet at the top of the heap look no further than Yul Brynner as Moses’ rival and eventual foe Rameses, who tells his reluctant bride-to-be with princely swagger and sexuality, “You will come to me whenever I call you, and I will enjoy that very much. Whether you enjoy it or not is your own affair… but I think you will.”

On the other end of the spectrum there’s Anne Baxter as Nefretiri, Moses’ first love and Rameses’ reluctant bride when he ascends to pharaoh. Famous for her role in “All About Eve,” Baxter chews through much of Egypt, repeating “Moses” so often (as in “Oh Moses, Moses”) that one might be forgiven for concluding that’s both his first and last name.

The supporting cast is equally delicious, including Edward G. Robinson sounding like he’s in a gangster movie and still stealing every scene he’s in as the traitorous Dathan, Vincent Price as pharaoh’s master builder and Sir Cedric Hardwicke as Rameses’ father, Sethi, who loves Moses more than he does his own son.

ABC has aired the film more than 40 times since 1973, making it a solid Easter and Passover staple. Already 220 minutes long, the broadcast window with commercials has ballooned to four hours and 44 minutes, spilling out of primetime before Moses can descend from Mount Sinai with the you-know-what.

 

Read the complete article here.

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Hubby’s favorite scene is the parting of the Red Sea.  😂

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I greatly enjoy this movie and watch it every year. I thought I missed it last weekend but then I see it’s on Saturday. We have it on Plex just in case too.

The overacting is what makes it so great in a lot of ways. Theres a hint of the old stage acting style you don’t see in newer movies.

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